Tale definition, a narrative that relates the details of some real or imaginary event, incident, or case; story: a tale about Lincoln's dog. Scandinavian Fiddle. Scandinavian fiddle /p>. In Scandinavia the fiddle is quite literally the stuff of legend. The oldest known instrument is the famous Jaastad fiddle, dated 1.
Ole Jonsen Jaastad (1. Ullensvang in Hardanger. The instrument soon caught on, and in the 1. C the fiddle maker Trond Botnen is said to have produced 1. The earliest Hardanger fiddles were much smaller than either the modern hardanger fiddles or standard violins, and they were more rectangular in shape. Formerly Story of the Month. New Tales will be published on an as and when available basis. It would be greatly appreciated if readers could supply. Tiger Tales is an independent publisher of imaginative picture and novelty books for children seven and younger. Whether the story is funny, whimsical, sweet, or. Free summary and analysis of the events in Geoffrey Chaucer’s The Canterbury Tales: The Knight's Tale that won’t make you snore. The most significant difference between the Hardinfele today and the standard violin is the presence of four or five sympathetic strings which run under the fingerboard. These ring freely whilst the fiddle is being played providing eerie drones, harmony and sometimes unexpected dissonance, apparently above and beyond the control of the fiddler. The pegbox is longer than on a violin, and the neck is shorter (as it was on all early violins), so that playing is laregly confined to the lower positions. The bridge and fingerboard are also flatter to facilitate double and triple stopping. The body is richly decorated with black ink (a technique called rosemaling); the fingerboard and tailpiece are inlaid with mother- of- pearl, and the headstock is carved into the shape of a maiden, dragon or lion's head. There. are over 2. A few common examples include ADAE (oppstilt or. Be careful with AEAC# (Nackastamning)- . The sympathetic strings on the. B)DEF#A which, surprise surprise, gives the. Greigs's Morning from Peer Ghynt! Many tunes also. use a non- standard scale including quarter- tones; this may be. Probably the greatest hardingfele player Norway has known was Torgeir Augundson - Myllargurtan (. It was he who introduced the idea of lydarslater- tunes. He benefited from the movement of Romantic Nationalism sweeping Europe at the time; in Norway this led to a greatly increased interest in traditional folk music, and saw the Hardingfele being referred to as the National Instrument. The first solo Hardanger Fiddle concert took place in 1. Kristiania. An important development in the furthering of the Hardingfele tradition came in 1. Hardanger fiddle. It was held in Bo, Telemark. Local and national contests have continued ever since, helping to focuss attention on technique and repertoire, and encouraging the raising of standards. The fiddle and the Church: As in many European countries, the fiddle was a target for disapproval by certain branches of the church. This was particularly so as so many pagan and devil- related myths were attached to Norwegian fiddling. In the early to mid 1. The Pietists, lead by Hans Nielsen Hauge, spread through rural districts of Norway. The Hardanger fiddle- . The West of Norway was hit by famine around 1. Ireland, there was a great emigration, particularly to the American midwest. Classical music students were encouraged to learn hardingfele. Government support for folk music. Norway to this day. One of the most influential players currently is Annbj. Knut Buen and Hallvard T Bjorkum are other fine players. You can hear Knut Buen in an interesting . The instrument takes the main theme for the Rohirrim- the blue- eyed, blonde haired horsemen (Norsemen?) of Rohan. More accessible are. The halling is another 2/4 tune. The origin of some of. One tale tells of the Fossegrimmen, a water sprite that lives in a waterfall, who will teach you a tune in excahnge for a leg of lamb thrown into the torrent. If the lamb isn't thought to be of suffiecient quality, all you'll get is the ability to tune your fiddle. Another tells of the troll. Nacken who lives in lakes and streams; if you hang. If on returning you pick up your. If by mistake you pick up the troll's fiddle, your soul is his. Rammeslatter are tunes which, because of their hypnotic quality. Julane Lund, a fiddler who studied traditional arts at Telemark University, has recently studied this phenomenon and finds it to be both real and observable; the player himself will often come out of the trance feeling exhasted, and having no memory of playing. Legend says that fanitullen, the devil's tune. He grabbed the fiddle and began playing a. Another group of tunes, the Gammeldans, were imported from. Sweden in the 1. 9th century; these tend to be more predictable. The mazurka has a bouncy 3/4. Brage Gilles Mazurka); a similar dotted rhythm, but. Schottis fran (from) Lima.) Polkas, (not to be confused with polskas) and Reinlenders have. Sweden has its equivalent to the walking tunes. Norway, including the brudmarsch (wedding march) and the ganglat. These have a. 3/4 rhythm with stress on the first and third beats; the emphasis. Polskas. and indeed many Scandinavian tunes, are often named after a revered. Polska efter (after) Karl Linblad, or Polska e. Very. useful for the fiddler is the skankl. Spellmannslag. are large groups of fiddlers who meet regularly to learn, play. SWEDISH FIDDLE The fiddle probably first arrived in Sweden in the 1. C from France, brought by musicians hired for the court of Queen Kristina. It soon filtered down to the rural population, becoming established as the primary instrument for dance music. The oldest Swedish tunes, from Medieval times, show a close relationship to flute and bagpipe music, and to herding calls and simple songs. These tunes tend to be harmonically very simplistic and are built from very short formulaic phrases. Such tunes were easily adapted for the fiddle. Grace and elegance are adjectives which are more relevant to Swedish fiddling than to many other styles. Linear structures and relatively complex melodic lines are a feature of many of these tunes, with development of themes, a wider range, and clearly defined harmony with arpeggios. This group includes the Polska, by far the most important group of tunes in Swedish fiddling. These were relatively simple, accessible tunes, and with them came . These instruments, and the general nature of the tunes, had the effect of . In common with many other European countries, the first serious interest by the intelligencia in folk music in Sweden began with the concept of romantic nationalism in the early 1. C. A search began for music that could represent the soul of the nation, and the newly formed Gothic Society (G. The turn of the century saw the first serious promotion of live public performances by Spelm. Tune collection cumulated in the publication, between 1. The idea was so popular that similar groups rapidly sprang up across the country. The majority of the music of these groups is unison fiddles, though some harmony is also added, and other instruments such as guitars, accordions, double basses and drums may also be included. This in part grew out of the tradition that some professional fiddlers would have a child apprentice who would learn to play harmonies along with the master. At weddings two fiddlers playing on horseback would sometimes announce the arrival of the bride and groom. Fiddling whilst walking is also common, even by massed fiddlers in a Spelm. This depended in large part on sophisticated and accurate transcription of the richly ornamented playing style of traditional fiddlers- something that had previously been an entirely aural tradition. SWEDISH FIDDLE ORNAMENTATIONSwedish fiddling is rich in grace notes, rolls and trills, double string unisons and drones, and notes raised or lowered by quarter tones. One of the most common ornaments is the f. Where there are two adjacent notes of a different pitch, the first note is repeated as a short grace note, tied to the next note. The leading or grace note may also be unrelated to the previous note; a first finger melody note may be preceded by an open string grace note; a second finger melody note by a first finger grace note, and so on. The fourth string/open string unison is common to both Sweden and Scotland, and the Swedes also make great use of the . This can involve either single open strings, or extended open string drones. Keys which allow extensive use of open strings are preferred; mainly G,D and A. Like in Norway, Swedish fiddlers often use the natural or untempered scale. This means that some notes are played slightly sharp or flat to what you would expect, for example, from a conventionally tuned piano. This relates partly to the extensive use of open strings, to the historic link to sounds such as the willow- bark flute, and to the early tradition of fiddle as a solo instrument. Sometimes the tuning will be different going up to coming down. Fortunately, fiddlers greatly value these special notes, and they are unlikely to disappear. The Polska One of the greatest challenges for outsiders when trying to understand Swedish music, is the rhythm of the polska. This is a dance known in Sweden since the 1. C, and it has remained popular up to the present day. However, there are different forms of polska all round the country. Whilst some have three equal beats (even polskas or j. Swedish Fiddler Karen Myers explained to me: . A similar thing is sometimes seen in English Morris dancing. With some polskas the rhythm works in two- bar patterns, with the first bar being asymmetrical, the second more even. Many tunes are traditional, but, as in Norway, are named after a particular fiddler who made a particular version popular. For others the composer is known. Since he is said to have completed 4. One of the first fiddlers to achieve national fame was Hjort Anders Olsson (1. He came to the attention of tune collector Nils Andersson, who recorded and transcribed many of the tunes from Olsson. He was invited to compete in one of the first national fiddler. He left many recordings, and a wealth of his own compositions, including Twelfth March. His playing is rooted in the folk tradition of V. He has been a Riksspelman (National folk musician) since 1. Swedish Royal Academy of music. He is a member of the band Groupa, as well as being involved with many other writing, performance and recording projects. Nyckelharpa Sweden has its own unique fiddle in the Nyckelharpa.
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